外呼专员毕业论文

外呼专员毕业论文

外呼专员是指对外联系客户的专员。常用的外呼手段：机短消息：利用与手机服务商设立接口通讯机。BP机自动台：利用与传呼台的自动台提示功能实现代码呼出。E－MAIL：利用INTERNET服务。电话：利用电信的公共网发送语音或其他信息。传真：和电话原理相同。IP电话：呼叫先采用IP的方式，通过互联网传输，然后转换成PSTN。

外呼人员是指对外联系客户的专员。

外呼（Outbound）是现代客户服务中心系统不可或缺的一个组成部分。

职能：预览拨号；预约呼出；预测拨出；呼出服务

使用复杂的数学算法考虑多种因素，如可用的电话线路数、可用接线员数、无法接通期望座席的概率等，预测拨出发出的呼叫往往比话务员处理的要多，它为话务员节省了大量时间（查号、拨号、等待震铃），从而大大提高效率。

呼出服务，可以用于市场分析，例如可以通过它按照名单自动拨通大量用户，进行业务需求或服务满意度的调查，或者客户回访等活动。

一些常用外呼手段

呼出媒体主要采用以下几种或根据要求添加其它手段：

手机短消息：利用与手机服务商设立接口通讯机。

BP机自动台：利用与传呼台的自动台提示功能实现代码呼出。

E－MAIL：利用INTERNET服务。

电话：利用电信的公共网发送语音或其他信息。

传真：和电话原理相同。

IP电话：呼叫先采用IP的方式，通过互联网传输，然后转换成PSTN。

系统电话主动呼出主要有两种方式：

IVR流程自动呼出

系统根据预先设定的号码库，定时自动呼通用户，向用户播放各种设置的语音、发送短

讯、EMAIL等。它无需人工参与。

参考资料：外呼人员-百度百科

具体就业情况如下：如果是刚毕业的小白，学校也不行，个人能力也不行，可以考虑在该岗位待上一年，因为普遍月薪7000+，还说的过去，朝九晚五 做五休二，还算轻松，有大量空余时间学习，也算是过渡期，等你对银行业务掌握差不多，一年以后银从资格证，基从，afp都考下来了， 你就可以填一份看的过去的简历，往其他银行或其他岗位跳槽了！因为小白身份的你是，其他任何岗位都不会给到你学习锻炼的机会，现在的银行在编校园招聘（在编）最低是985 211 基本10进1的标准，首先看清自己，再做好选择。仅供参考并无权威数据。

岗位职责：1.通过电话进行客户回访、项目调研、产品销售，并完成各项销售指标；2.开发新客户，降低客户流失率，建立和维护客户档案；3.跟踪并处理客户订单及老客户的回访工作；4.协调公司内部资源，提高客户满意度；5.积极面对客户对公司产品及服务的咨询，协调客户关系、处理解答客户提出问题；6.通过电话搜集、挖掘公司潜在客户需求信息并提供售前咨询；7.对客户信息数据进行分析；8.对外呼管理制度提出合理化建议；配合外呼主管完善外呼组日常运作相关的制度体系和业务流程。

中西称呼英语专业毕业论文

英美名著赏析，红楼梦，都是常见题材

到中国知网去看看吧，这里面肯定有你想要的

冷战后美国外交的文化阐释 网络对当代青少年的影响 欧美人所理解之天堂世界观 基于作品人物浅析菲茨杰拉德 中国80后一代眼中的美国文化和中国文化 解读《皆大欢喜》中的浪漫主义 从《红字》和《荆棘鸟》看宗教禁欲主义下的爱情跨文化交际与中西文化冲突 谈如何理解海明威《一个干净明亮的地方》网络在中学英语教学中的应用 我看简·爱的爱情 中美家庭教育与个人能力培养 试论言语行为理论在广告语中的运用 《老人与海》的悲剧色彩:对完美主义的质疑 英语名的取名艺术 英语名的取名艺术 分析简·爱的美 中西文化中颜色词的象征意义 重拾爱伦·坡的哥特小说——从写作手法剖析 论《红字》中的孤独因素 汉语语言环境对英语学习的影响 小学英语教育中的新方法 中西方婚俗的差异 斯佳丽：“旧”时代的“新”女性 交际法在中学英语课堂的应用 论修辞在英语广告中的应用 中国西部未来人才需要 论福斯塔夫的性格 从《喧哗与骚动》中凯蒂的悲剧看20世纪初女性的社会 从商标及广告翻译看中英文化差异 儿童英语的交互性教学 英文谚语的文化场景在中译文中的缺失与弥合 浅谈大学生英语口语表达能力的提高 美国高等教育的多元化 教师在小学英语教学中的角色和作用分析罗密欧与朱丽叶的爱情悲剧之研究 放松艺术——论失落情绪的消除社会底层的底层——分析美国非裔妇女的社会地位论中西饮食文化差异 文化认同的悲剧 从美国“迷惘的一代”看当今中国年轻人的生活 中美文化视野中对个人主义的认同差异透过《飘》看现代女性对待生活的态度 美国社会的葛朗台现象 多种方法，提高初中英语课堂效益学前幼儿的英语口语教学方法和技巧 论毒品对青少年的危害 从原创广告分析中美文化差异 乐山大佛风景区宗教旅游资源的研究 从迷茫的玛尔特的悲剧看女性存在的社会价值从伊丽莎白一世的婚姻看现代爱情观 美国黑人文化得以幸存的原因解析 激发学生学习英语的兴趣 英国的民族个性——高贵与务实在饮食中的表现 大学双语教学的现状及对策 倾城之恋》与《飘》的女性主义解读 浅析中国慈善事业发展现状 思想的解放 理性的光芒 浅析美国的个人主义与中国的集体主义林奇与狼牙山五 从英汉习语的翻译看中西方文化差异初中英语教学的弊端及对策论家庭教育和学校教育的结合 都市边缘文化中西方同性恋文化浅析 《简·爱》的浪漫主义解读冷战后的美国对外战略 洋快餐对中国饮食文化的影响 中国教育体制下情境教学法的误区 美国俚语中的文化特征美国黑人文化的灵魂—音乐与舞蹈谈如何加强初一年级英语教学 手势在人际交往中的应用 从《变形记》透视家庭环境对塑造儿童健康心理的影 谈美国富翁的慈善捐助 英汉广告翻译中的文化差异 精神与形象造就优秀企业 情感因素与外语学习 从两个节日看中西方的迷信思想 从《鲁宾逊漂流记》看创新精神 二语习得中文化差异对阅读的影响 论《傲慢与偏见》中的爱情观和婚姻观 浅谈高中英语的听说教学方法 做合格的外贸人员对经贸英语专业在校生 颜色词的中英对比翻译 星条旗飘扬下的爱国主义 传统英语教育与在线英语教育 解析《长腿叔叔》少女茱蒂 成长的日志 爵士乐—二十世纪美国社会文化的一面镜子 剖析莎士比亚以四大悲剧为代表的悲剧世界 现代英语新词分析 学生焦虑与教师言行之间的关系探讨英语词汇的语境意义分析 浅析非言语交际在小学英语教学中的运用 中西方礼仪差异 论《傲慢与偏见》中的妇女地位问题 相同的性格，不同的命运——王熙凤与郝思嘉人物形象

论文选题是按一定价值标准或条件对可供选择的课题进行评价和比较并对研究方向、目标、领域和范围作出抉择的过程，是决定论文内容和价值的关键环节。这里学术堂整理了十五个论文选题供大家进行参考：1、从语用学视角看汉英口译中的语用失误2、英语心智谓词的模糊性及其语际语用发展研究3、英语科技术语的词汇特征及翻译4、Moment in Peking中异国形象之汉译5、中医典籍中“气”的源流与翻译探析6、女性主义视角下张爱玲的翻译观--以英译《海上花列传》为中心7、二语习得视觉化研究的几个关键问题8、晚清以降的中国佛典英译高潮9、基于降维法的译者风格研究10、中国英语口音研究述评11、口译中视角转换的语用原则12、模因理论指导下的汉语歇后语英译13、本土英语教学法：流派、体系与特色14、《骆驼祥子》三个英译本中叙述话语的翻译--译者风格的语料库考察15、基于语料库的“人生”隐喻英汉对比研究

呼啸山庄英语专业毕业论文

我恰好也是英语专业的，已完成答辩。 首先你要做5分钟左右的presentation，那部分内容包含1 : why you choose this topic ;2:what is the main content of your thesis: 3:What is the problem still in your paper (也即是你论文中你觉得哪些需要后来的学者继续研究或者也可从你论文不足的地方讲几句）。 其次你开始回答问题，通常是3或4个问题。这部分你准备时，1. 一定要将自己论文中的各个标题记熟。很多老师就针对其问问题。2.你文中所用的术语，其definition要能说出。 3.如果你在上部分presentation未说明你为什么选择这个论题时。老师也可能对此提出问题。4.也有可能询问你撰写的论文对语言学习有什么帮助。 嘿嘿 ，个人看法。你的格式最好要少些瑕疵，有些老师就专挑格式错误，他们认为这能反映你的态度是否端正。还有答辩老师未必有那么多时间看。而这个错误最为明显。 提前将abstract和conclusion背一背。答辩时态度谦逊些。自信些，老师都不大会为难我们。祝你好运。

'Thrushcross Grange is my own, sir,' he interrupted, wincing. 'I should not allow any one to inconvenience me, if I could hinder it - walk in!' The 'walk in' was uttered with closed teeth, and expressed the sentiment, 'Go to the Deuce:' even the gate over which he leant manifested no sympathising movement to the words; and I think that circumstance determined me to accept the invitation: I felt interested in a man who seemed more exaggeratedly reserved than myself. When he saw my horse's breast fairly pushing the barrier, he did put out his hand to unchain it, and then sullenly preceded me up the causeway, calling, as we entered the court, - 'Joseph, take Mr. Lockwood's horse; and bring up some wine.' 'Here we have the whole establishment of domestics, I suppose,' was the reflection suggested by this compound order. 'No wonder the grass grows up between the flags, and cattle are the only hedge- cutters.'

Wuthering Heights as a Religious NovelWuthering Heights is not a religious novel in the sense that it supports a particular religion (Christianity), or a particular branch of Christianity (Protestantism), a particular Protestant denomination (Church of England). Rather, religion in this novel takes the form of the awareness of or conviction of the existence of a overwhelming sense of the presence of a larger reality moved Rudolph Otto to call Wuthering Heights a supreme example of "the daemonic" in literature. Otto was concerned with identifying the non-rational mystery behind all religion and all religious experiences; he called this basic element or mystery the numinous. The numinous grips or stirs the mind so powerfully that one of the responses it produces is numinous dread, which consists of awe or awe-fullness. Numinous dread implies three qualities of the numinous: its absolute unapproachability, its power, and. its urgency or energy. A misunderstanding of these qualities and of numinous dread by primitive people gives rise to daemonic dread, which Otto identifies as the first stage in religious development. At the same time that they feel dread, they are drawn by the fascinating power of the numinous. Otto explains, "The daemonic-divine object may appear to the mind an object of horror and dread, but at the same time it is no less something that allures with a potent charm, and the creature, who trembles before it, utterly cowed and cast down, has always at the same time the impulse to turn to it, nay even to make it somehow his own." Still, acknowledgment of the "daemonic" is a genuine religious experience, and from it arise the gods and demons of later religions. It has been suggested that Gothic fiction originated primarily as a quest for numinous dread. For Derek Traversi the motive force of Brontë's novel is "a thirst for religious experience," which is not Christian. It is this spirit which moves Catherine to exclaim, "surely you and everybody have a notion that there is, or should be, an existence of yours beyond you. What were the use of my creation if I were entirely contained here? (Ch. ix, p. 64). Out of Catherine's–and Brontë's–awareness of the finiteness of human nature comes the yearning for a higher reality, permanent, infinite, eternal; a higher reality which would enable the self to become whole and complete and would also replace the feeling of the emptiness of this world with feelings of the fullness of being (fullness of being is a phrase used by and about mystics to describe the aftermath of a direct experience of God). Brontë's religious inspiration turns a discussion of the best way to spend an idle summer's day into a dispute about the nature of heaven. Brontë's religious view encompasses both Cathy's and Linton's views of heaven and of life, for she sees a world of contending forces which are contained within her own nature. She seeks to unite them in this novel, though, Traversi admits, the emphasis on passion and death tends to overshadow the drive for unity. Even Heathcliff's approaching death, when he cries out "My soul's bliss kills my body, but does not satisfy itself" (Ch. xxxiv, p. 254), has a religious John Winnifrith also sees religious meaning in the novel: salvation is won by suffering, as an analysis of references to heaven and hell reveals. For Heathcliff, the loss of Catherine is literally hell; there is no metaphoric meaning in his claim "existence after losing her would be hell" (Ch. xiv, p. 117). In their last interview, Catherine and Heathcliff both suffer agonies at the prospect of separation, she to suffer "the same distress underground" and he to "writhe in the torments of hell" (XV, p. 124). Heathcliff is tortured by his obsession for the dead/absent Catherine. Suffering through an earthly hell leads Healthcliff finally to his heaven, which is union with Catherine as a spirit. The views of Nelly and Joseph about heaven and hell are conventional and do not represent Brontë's views, according to has endured hell. Indeed, most of this novel becomes a test of what she can endure. Helen Burns and Miss Temple teach Jane the British stiff upper lip and saintly patience. Then Jane, star pupil that she is, exemplifies the stoicism, while surviving indignity upon indignity. Jane’s soul hunkers down deep inside her body and waits for the shelling to stop. Only at Moor’s End, where she teaches and grows, does her soul come out. She stops enduring and begins living. Jane begins to become an “I” in her 19th year. In the sentence, “Reader, I married him.” Jane makes clear who is in charge of her life and her marriage; she is. That “I” stands resolutely as the subject of the sentence commanding the verb and attaching itself to the object, “him.” She is no longer passive, waiting and sitting for Rochester’s attention. Rather, she goes out and gets him. She has gone a long way from the beginning of the novel. At Gateshead, Jane tries to direct her life. Her little “I” scolds Mrs. Reed and chastises John. Like the later Jane, she knows her mind and speaks it. Unlike the later Jane, however, she does not have the wherewithal to back up her soul. She does not have the physical strength, the mental skills, nor the finances to stand on her own. As a result, she can be thrown into the Red Room to repent her sins and can be cast into Lowood. At Lowood, her pernicious saints, Helen Burns and Miss Temple, suppress the young ego under a blanket of will, religion, and self-sacrifice. Helen teaches Jane to blame herself for everything and blame others for nothing. Helen suffers depredation upon humiliation in the name of dirty fingernails and disorganized socks, all the while chanting “Thank you sir, may I have another.” Jane internalizes this, so that she blames herself for Rochester’s faults and error and even forgives the unforgivable, Mrs. Reed. For her part, Miss Temple teaches Jane to be subversive, but charming. Rebellion is seed cake and a smile. Rebellion is not keeping the students from the ten-mile forced march to church. Jane follows these dictates as well, manipulating Rochester for scraps and sops. With one withering blast, Rochester dynamites these two icons into sanctimonious rubble and sends Jane back out into the elements. Her soul, long buried or locked away in the attic, bursts forth and sends Jane for the escape pods. Out in the moors, sucking on dirt, Jane chooses to live on and rebuilds herself. First with the help of her cousins, then with the arrogantly humble Rivers St. John, Jane rediscovers who she is and discards who she isn’t. Ironically, her final self-definition comes from Rivers when he proposes. Helen Burns and Miss Temple would have knelt at the chance, but Jane lets the cup pass by. In her rejection, she sweeps the debris away and stands by herself. So, when she returns to Thornfield, she comes with her own money and her own identity. Reduced or not, Rochester can only stand with Jane, not tower over her. She comes with a skill, cash, and self-knowledge. And under her own power, she submits herself to Rochester. She allows herself to be called Janet and to refer to him as “sir.” She willingly and momentarily drops her head. But not for long. In the ultimate chapter, Jane directly addresses her “Reader.” The final chapter takes place a year or two post-fire, as the mature Jane looks back on her life. By the act of writing, Jane has defined herself and stepped away from the saint-in-training. By writing the truth, in all of its ugliness, she separates herself from the persona. The Jane in the first 38 chapters is not the final Jane that addresses the reader. That Jane has had a child, has married a man, and has made a spot in the world. The great triumph of that line comes not from the man that she has married, but from the rediscovery and reaffirmation of the voice that once told off Mrs. Reed. The girl lost her voice at Lowood has become the woman who can tell us the story. The novel itself is Jane’s final "I."

英语专业毕业论文呼啸山庄

The Love and Hate in Wuthering HeightsShi Xueping1. IntroductionWuthering Heights, the great novel by Emily Bronte, though not inordinately long is an amalgamation of childhood fantasies, friendship, romance, and revenge. But this story is not a simple story of revenge, it has more profound implications. As Arnold Kettle, the English critic, said," Wuthering Heights is an expression in the imaginative terms of art of the stresses and tensions and conflicts, personal and spiritual, of nineteenth-century capitalist society.” The characters of Wuthering Heights embody the extreme love and extreme hate of the Introduction of the autherEmily Jane Bronte was the most solitary member of a unique, tightly knit, English provincial family. Born in 1818, she shared the parsonage of the town of Haworth, Yorkshire, with her older sister, Charlotte, her brother Branwell, her younger sister, Anne, and her father, the Reverend, Patrick Bronte. All five were poets and writers; all but Branwell would publish at least one was the Bronte children's one relief from the rigors of religion and the bleakness of life in an improverished region; they invented a series of imaginary kingdoms and constructed a whole library of journals stories, pomes, and plays around their inhabitants. Emily's special province was a kingdom she called Gondal, whose romantic heroes and exiles owed much to the poems of stays at several boarding schools were the sum of her experiences outside Haworth until 1842, when she entered a school in Brussels with her sister Charlotte. After a year of study and teaching there, they felt qualified to announce the opening of a school in their own home, but could not attract a single 1845 Charlotte Bronte came across a manuscript volumn of her sister's poems. She knew at once, she later wrote, that they were "not at all like the poetry women generally write... they had a peculiar music-wild, melancholy, and elevating." At her sister's urging, Emily's poems along with Anne's and Charlotte's, were published pseudonymously in 1846. An almost complete silence greeted this volume, but the three sisters, buoyed by the fact of publication, immediately began to write novels. Emily's effort was WUTHERING HEIGHTS; appearing in 1847, it was treated at first as a lesser work by Charlotte, whose JANE EYRE had already been published to great acclaim. Emily Bronte's name did not emerge from behind her pseudonym of Ellis Bell until the second edition of her novel appeared in the meantime, tragedy had struck the Bronte family. In Septermber of 1848 Branwell had succumbed to a life of dissipation. By December, after a brief illness, Emily too was dead; her sister Anne would die the next year. WUTHERING HEIGHTS, Emily's only novel, was just beginning to be understood as the wild and singular work of the Introduction of the storyThe beginning of the story was Mr. Lockwood’s visiting of Wuthering Heights. His amazement of Heathcliff's surliness and curiosity of beautiful Catherine's rudeness urged him to listen to a very strange and frightening love story from Nelly Dean. In the summer of 1771 Mr. Earnshaw brought home an orphan later called Heathcliff he had found in Liverpool. This waif was persecuted by young Hindley, but deeply loved by his daughter Catherine. So there was contradiction between Hindley and Heathcliff since childhood. After the death of their parents and his own marriage, Hindley treated Heathcliff as a servant, but this was relieved by the pleasant times with one of their expeditions they reached Thrushcross Grange where she stayed as the Linton’s guest for several weeks. When she returned to the Wuthering Heights, she was altered a lot: she had been deeply attracted by the dress, luxury of the Lintons, especially the handsome and gentle Edgar Linton. Although she still loved Heathcliff she could not compare Heathcliff’s snobbishness with the gentility of her new friends. Heathcliff was even more badly treated by Hindley after his wife’s death, which increased Heathcliff’s more anger. After overhearing part of Catherine’s conversation with Nelly that she would marry Edgar, Heathcliff could not bear the indignation and degradation and left Wuthering ’s conversation with Nelly was that if Heathcliff could remain, even though all else perished, she should still continue to be. She and Heathcliff belonged to the same kind. But Heathcliff didn’t hear it. So after Heathcliff’s leaving, Catherine was desperately ill and recovered by the care of Linton couple. Three years later Catherine was married to months later, Heathcliff, a different man, appeared. Catherine was so pleased at the news. But out of her surprise Heathcliff took on his two-fold revenge, first on Hindley who had treated him so badly in the past, secondly he threatened Catherine to marry Edgar’s sister Isabella fell in love with Heathcliff and Heathcliff married her out of love, but for the property of Thrush cross Grange. At the same time Catherine locked herself in the room because Edgar refused Heathcliff. The she became delirious from illness and had brain fever. Eventually she recovered but remained delicate. Edgar worried too much about Catherine’s health and Heathcliff and Catherine met again. There was a terrible scene between them. Both of them showed their anger and love to each other which worsened Catherine’s health. Then two hours after her daughter — Cathy’s birth Catherine died. When Heathcliff got the news he was desperately Catherine’s death Isabella returned to Thrushcross Grange after three months with Heathcliff. Hindley died and Heathcliff took Wuthering years later Isabella died, leaving her son Linton to Heathcliff, a weakling boy. Then Edgar Linton and young Linton died and so Heathcliff, Cathy and Hareton, an ill-assorted trio, were left at the Heights; while Thrush Grange was left to Lowood, to whom Nelly told the story ended with the death of Heathcliff and the marriage of Hareton and Cathy. This was two generations’ love story. The first generation’s love was transcendental and the second generation’s love was Introduction of social backgroundIn Viction's period, the rich are enormously proud of their success and property; the secular sense of hierarchy penetrates into the daily life of common people; money and property is nothing but everything. In literature, the smoky, threatening, miserable factory-towns were often represented in religious terms, and compared to hell. The poet William Blake, writing near the turn of the nineteenth century, speaks of England’s “dark Satanic Mills.” Therefore, under the control of this concept, the spirit of human is vehemently suppressed, and the humanity is cruelly twisted and deformed. At this time, Emily who has great rebelling spirit and strong desire of freedom, wrote WUTHERING HEIGHTS, disclosed the evilness of society. The work depicts how humanity was twisted, broken, band destroyed under the hand of violent devastation. But the great death is the steady faith of and yearns for happy life. In the world reined by Heathcliff, the bud of love, coming from Hareton and Cathy, broke through the hard soil of hatred. The betrayal of love brings the twist of humanity but pure love cures the wound, consoles the injured heart, and saves the degenerated soul. Emily shows her positive attitude to the pure love and their destructibility of Theme of the novelWuthering Heights, the creation of Emily Jane Bronte, depicts not a fantasy realm or the depths of hell. Rather, the novel focuses on two main characters' battle with the restrictions of Victorian Society. Social pressures and restrictive cultural confines exile Catherine Earnshaw and Heathcliff from the world and then from each other. Hate can't make love disappear, and love is stronger than . LoveWuthering Heights is a love novel. It has praised human’s moral excellence, has attracted the will of the people’s darkness, unfolding the human with the common custom life and pursueing the fine in the novel is manifested in many Earnshaw's love for HeathcliffForty years ago Wuthering Heights was filled with light, warmth and happiness. , a farmer, lives happily with his boisterous children Catherine and Hindley. However, being a kind and generous fellow, he can’t help rescuing a starving wretch off on the streets of Liverpool, a gypsy child named Heathcliff. In time Heathcliff becomes one member of the family, loved by all except Hindley (who nurtures the feeling of being usurped). Thus it can be concluded that Earnshaw's love for Heathcliff stems from Catherine' love for HeathcliffAs a child, her father was too ill to reprimand the free spirited child, ‘who was too mischievous and wayward for a favorite. (P46). Therefore, Catherine grew up among nature and lacked the sophistication of high society. Catherine removed herself from society and, "had ways with her such as I never saw a child take up before; she put all of us past our patience fifty times and oftener in a day; from the hour she came downstairs till the hour she went to bed, we had not a minute’s security that she wouldn’t be in mischief. Her spirits were always at high-water mark, her tongue always going--singing, laughing, and plaguing everyone who would not do the same. A wild, wicked slip she was--"(P51). Catherine further disregarded social standards and remained friends with Heathcliff despite his degradation by Hindley, her brother. ‘Miss Cathy and he [Heathcliff] were now very thick; ’(P46) and she found her sole enjoyment in his companionship. Catherine grew up beside Heathcliff, ‘They both promised to grow up as rude as savages; the young master [Hindley] being entirely negligent how they behaved, ’(P57). During her formative years Catherine’s conduct did not reflect that of a young Lady, ‘but it was one of their chief amusements to run away to the moors in the morning and remain there all day, (P57). Thus, Catherine’s behavior developed and rejected the ideals of an oppressive, over-bearing society, which in turn created isolation from the institutionalized world. Therefore, Catherine's love for Heathcliff is pure, and Heathcliff's love for Catherine is tinged with danger and Isabella's love for HeathcliffThe first time when Isabella sees Heathcliff, attracted by the charming man, she falls in love with him. No matter how Catherine persuades her, she makes her mind to get married with Heathcliff. Her love for Heathcliff is pure. While, Heathcliff just uses Catherine's sister-in-law Isabella Linton as a weapon, caring not for the poor Catherine's love for EdgarWhen Catherine and Heathcliff exist their private island unchecked until Catherine suffers an injury from the Linton's bulldog. Forced to remain at Thrushcross Grange----the Linton's home, which isolates Catherine from Heathcliff and her former world of reckless freedom. Living amongst the elegance of the Lintons transforms Catherine from a coarse youth into a delicate lady. Her transformation alienates Heathcliff, her soul mate and the love of her life. Catherine fits into society like a square peg trying to fit in a round hole. However, she feels pressure to file her rough edges and marry Edgar Linton. All in all, it is the social pressures and restrictive cultural confines that force Catherine to pretend to fall in love with Edgar. However, Edgar loves Catherine with gracious and transquility.

Wuthering Heights as a Religious NovelWuthering Heights is not a religious novel in the sense that it supports a particular religion (Christianity), or a particular branch of Christianity (Protestantism), a particular Protestant denomination (Church of England). Rather, religion in this novel takes the form of the awareness of or conviction of the existence of a overwhelming sense of the presence of a larger reality moved Rudolph Otto to call Wuthering Heights a supreme example of "the daemonic" in literature. Otto was concerned with identifying the non-rational mystery behind all religion and all religious experiences; he called this basic element or mystery the numinous. The numinous grips or stirs the mind so powerfully that one of the responses it produces is numinous dread, which consists of awe or awe-fullness. Numinous dread implies three qualities of the numinous: its absolute unapproachability, its power, and. its urgency or energy. A misunderstanding of these qualities and of numinous dread by primitive people gives rise to daemonic dread, which Otto identifies as the first stage in religious development. At the same time that they feel dread, they are drawn by the fascinating power of the numinous. Otto explains, "The daemonic-divine object may appear to the mind an object of horror and dread, but at the same time it is no less something that allures with a potent charm, and the creature, who trembles before it, utterly cowed and cast down, has always at the same time the impulse to turn to it, nay even to make it somehow his own." Still, acknowledgment of the "daemonic" is a genuine religious experience, and from it arise the gods and demons of later religions. It has been suggested that Gothic fiction originated primarily as a quest for numinous dread. For Derek Traversi the motive force of Brontë's novel is "a thirst for religious experience," which is not Christian. It is this spirit which moves Catherine to exclaim, "surely you and everybody have a notion that there is, or should be, an existence of yours beyond you. What were the use of my creation if I were entirely contained here? (Ch. ix, p. 64). Out of Catherine's–and Brontë's–awareness of the finiteness of human nature comes the yearning for a higher reality, permanent, infinite, eternal; a higher reality which would enable the self to become whole and complete and would also replace the feeling of the emptiness of this world with feelings of the fullness of being (fullness of being is a phrase used by and about mystics to describe the aftermath of a direct experience of God). Brontë's religious inspiration turns a discussion of the best way to spend an idle summer's day into a dispute about the nature of heaven. Brontë's religious view encompasses both Cathy's and Linton's views of heaven and of life, for she sees a world of contending forces which are contained within her own nature. She seeks to unite them in this novel, though, Traversi admits, the emphasis on passion and death tends to overshadow the drive for unity. Even Heathcliff's approaching death, when he cries out "My soul's bliss kills my body, but does not satisfy itself" (Ch. xxxiv, p. 254), has a religious John Winnifrith also sees religious meaning in the novel: salvation is won by suffering, as an analysis of references to heaven and hell reveals. For Heathcliff, the loss of Catherine is literally hell; there is no metaphoric meaning in his claim "existence after losing her would be hell" (Ch. xiv, p. 117). In their last interview, Catherine and Heathcliff both suffer agonies at the prospect of separation, she to suffer "the same distress underground" and he to "writhe in the torments of hell" (XV, p. 124). Heathcliff is tortured by his obsession for the dead/absent Catherine. Suffering through an earthly hell leads Healthcliff finally to his heaven, which is union with Catherine as a spirit. The views of Nelly and Joseph about heaven and hell are conventional and do not represent Brontë's views, according to has endured hell. Indeed, most of this novel becomes a test of what she can endure. Helen Burns and Miss Temple teach Jane the British stiff upper lip and saintly patience. Then Jane, star pupil that she is, exemplifies the stoicism, while surviving indignity upon indignity. Jane’s soul hunkers down deep inside her body and waits for the shelling to stop. Only at Moor’s End, where she teaches and grows, does her soul come out. She stops enduring and begins living. Jane begins to become an “I” in her 19th year. In the sentence, “Reader, I married him.” Jane makes clear who is in charge of her life and her marriage; she is. That “I” stands resolutely as the subject of the sentence commanding the verb and attaching itself to the object, “him.” She is no longer passive, waiting and sitting for Rochester’s attention. Rather, she goes out and gets him. She has gone a long way from the beginning of the novel. At Gateshead, Jane tries to direct her life. Her little “I” scolds Mrs. Reed and chastises John. Like the later Jane, she knows her mind and speaks it. Unlike the later Jane, however, she does not have the wherewithal to back up her soul. She does not have the physical strength, the mental skills, nor the finances to stand on her own. As a result, she can be thrown into the Red Room to repent her sins and can be cast into Lowood. At Lowood, her pernicious saints, Helen Burns and Miss Temple, suppress the young ego under a blanket of will, religion, and self-sacrifice. Helen teaches Jane to blame herself for everything and blame others for nothing. Helen suffers depredation upon humiliation in the name of dirty fingernails and disorganized socks, all the while chanting “Thank you sir, may I have another.” Jane internalizes this, so that she blames herself for Rochester’s faults and error and even forgives the unforgivable, Mrs. Reed. For her part, Miss Temple teaches Jane to be subversive, but charming. Rebellion is seed cake and a smile. Rebellion is not keeping the students from the ten-mile forced march to church. Jane follows these dictates as well, manipulating Rochester for scraps and sops. With one withering blast, Rochester dynamites these two icons into sanctimonious rubble and sends Jane back out into the elements. Her soul, long buried or locked away in the attic, bursts forth and sends Jane for the escape pods. Out in the moors, sucking on dirt, Jane chooses to live on and rebuilds herself. First with the help of her cousins, then with the arrogantly humble Rivers St. John, Jane rediscovers who she is and discards who she isn’t. Ironically, her final self-definition comes from Rivers when he proposes. Helen Burns and Miss Temple would have knelt at the chance, but Jane lets the cup pass by. In her rejection, she sweeps the debris away and stands by herself. So, when she returns to Thornfield, she comes with her own money and her own identity. Reduced or not, Rochester can only stand with Jane, not tower over her. She comes with a skill, cash, and self-knowledge. And under her own power, she submits herself to Rochester. She allows herself to be called Janet and to refer to him as “sir.” She willingly and momentarily drops her head. But not for long. In the ultimate chapter, Jane directly addresses her “Reader.” The final chapter takes place a year or two post-fire, as the mature Jane looks back on her life. By the act of writing, Jane has defined herself and stepped away from the saint-in-training. By writing the truth, in all of its ugliness, she separates herself from the persona. The Jane in the first 38 chapters is not the final Jane that addresses the reader. That Jane has had a child, has married a man, and has made a spot in the world. The great triumph of that line comes not from the man that she has married, but from the rediscovery and reaffirmation of the voice that once told off Mrs. Reed. The girl lost her voice at Lowood has become the woman who can tell us the story. The novel itself is Jane’s final "I."

可以写人与人之间的关系 比如 恨 和 爱恩萧先生，呼啸山庄主人 对 希克厉 一个养子的关爱 希克厉和卡瑟琳对彼此的爱 小卡瑟琳和哈里顿 的爱 还有就是 希克厉 对别人的恨 对享德莱 对哈里顿 等等我觉得 呼啸山庄 就像是情感大剧，结尾我很喜欢，不是很沉重 后一代没有重复上辈的悲剧而是幸福的在一起 很好啊 这就说明人与人之间有爱才会和谐 论文我还没到写的时候，不知道怎么弄写写比如恨永远比爱多一点 我们不能让仇恨蒙蔽了双眼啊善良是化解冰山的好办法 呵呵 希望帮到你

呼麦毕业论文

王力宏（Leehom Wang），籍贯浙江义乌，为美籍华人流行歌曲作曲家、男歌手及唱片制作人。他通晓英语、中文、法语，略知少许粤语和日语。其中英语为母语。他不光唱功了得，会多种乐器，而且还自己担当自己大部分作品的编曲配乐以及幕后制作。从《龙的传人》中令人惊讶的融合DJ电子乐节奏的华人流行嘻哈摇滚风，到自己开创出的chinked-out的曲风。他生活节俭，却热心公益慈善环保事业，正如他的歌曲所表达的，他坚持用音乐改变自己，改变世界，敬业如同音乐上的陈景润。其唱片总销量在全亚洲已超过2500万张。王力宏 昵称：力宏、王导、王囧囧、二哥 自称：音乐吉普赛、MUSIC-MAN音乐超人 别称：盖世英雄，东方猫王 外文名：Leehom Wang（台湾正式拼法，Leehom Wang） 生肖：龙 星座：金牛座 血型：O型 身高：180cm 体重：66kg 生日：1976年 阳历：5月17日 农历：4月19日 丙辰年 出生地：纽约罗切斯特 NewYork Rochester 所属公司：索尼音乐娱乐（唱片兼经纪公司) 现住地：台北 学历：Williams College （有全美“隆中卧龙”之称的三小常春藤老大，比肩哈佛的自由文理学院）大学学士学位 Berklee College of Music美国伯克利音乐学院 （执现代流行音乐之牛耳），硕士学位。 本应读博士，因要发展台湾的音乐事业而休学。 专修：音乐 （音乐剧、小提琴、爵士钢琴、爵士鼓、作曲、世界音乐史、音乐理论、音乐教育） 副修：亚洲管理、军事理论 主业：音乐人（歌手、百老汇音乐剧男中音主唱演员、作曲人、小提琴手、音乐制作人） 副业：演员、导演、指挥 曾就读过的学校：美国麻州大学，美国马萨诸塞州威廉姆斯学院Williams college（文理学院排名第一）音乐科（爵士钢琴），Berklee College of Music美国伯克利音乐学院。 专精的乐器：小提琴、钢琴、键盘、吉他、贝斯、爵士鼓、颤音琴、二胡、琵琶、中阮、长笛、埙、口琴、艾杰克等其他中国民族乐器，曾被香港管弦乐团邀请（亚洲数一数二的乐团）并担任指挥家。在《心中的日月》专辑创作采风过程中学会呼麦。 音乐理想：透过我的音乐和青少年交流，让我的音乐给年轻人的生命带来感动和启发、成为一个世界级交响乐指挥家。 最大的心愿：把华人音乐带到全世界。 事业目标：做一个真正的世界性音乐家 (a true musician) 做出有创意、有思想、有内涵、有个人特色的艺术作品。在国际上发展成全方位的艺术家，在音乐的领域上能有长远的贡献！ 语言：英语（母语第一语言）、中文（第二语言）、法语、日语、粤语，略通客家话和闽南语 特殊专长：美声、词曲创作、制作、编曲、各种乐器、绘画（画作《老鹰》得奖）写作（其论文<宗教与人生>曾获Cornell大学主办的全美论文赛二等奖）B-BOX 特点：唱功强悍、音色多变、唱腔换位登峰造极、中音很有特色、音乐有力、节奏鲜明，给人一种振奋人心的力量。唱功华语流行歌手前三名！王力宏 喜欢品牌可优特(5张)音乐风格：R&B、Hip－Hop、自创Chincked-out、摇滚、JAZZ、抒情、民谣、国语流行、中国风、蓝调 音乐教育：从小受的是西式音乐教育（古典音乐出生） 兴趣嗜好：篮球、棒球、音乐、绘画、电影、戏剧、创作、制作 口头禅： “Yo~Yo~，It's all right!” 信仰：基督教 喜欢的科目：爵士钢琴 喜欢的音乐：古典、R&B、JAZZ、摇滚、国语流行、中国风、中国民乐。 喜欢的艺术家：贝多芬、莫扎特、肖邦、达·芬奇 喜欢的女生类型：凭感觉，但一定不能是黏人的，要有自己的生活，要朴实一点，偏爱长发知性女生。 喜欢的歌手：黄家驹，Elton John，史提夫.汪达，Prince，乔治.麦可，Sting，迈克尔杰克逊 喜欢的电影：《拯救大兵瑞恩》、《夜访吸血鬼》、《小妇人》、《肖申克的救赎》 喜欢的食物：日本料理，总汇三明治，葡萄柚，北京烤鸭，Pizza，酪梨寿司，麦当劳（曾经代言过），爆米花 喜欢的饮料：葡萄柚汁 喜欢的颜色：天蓝色 喜欢的运动：棒球 最爱的服饰：牛仔裤 喜欢的品牌：可优特 宠物色 粉丝口号：宏遍全球，魅力无穷。宏来居上，无人再上。

实际上你可以自己百度一下，应该有很多的。这是我找到的，不过不多。我也喜欢王力宏哈。资料：王力宏个人档案 2004年06月16日10:17 新浪娱乐 中文名：王力宏英文名字: Lee Hom生日: 1976年5月17日免费畅游内蒙古大草原 高薪聘请·销售精英！ 突破渴望, 赢取手机 免试入学读在职研究生 生肖: 龙星座: 金牛座 身高: 178公分血型: O型贯籍 ： 广东番禺学历: 美国麻州Williams College毕业嗜好：棒球、音乐、绘画、电影、戏剧、创作 口头禅 ： "It's all good!" 语言：国 语、英语 家庭 状 况：父母、1兄、 1弟 特别技能：小提琴、钢琴、鼓、作曲 喜爱的运动：棒 球 最喜欢的科目: 爵士钢琴最佩服的人: 爸爸最欣赏的歌手: Stevie Wonder最喜欢的艺人: Elton John、 Stevie Wonder、Prince、George Michael、Sting最喜欢的电影: 夜访吸血鬼、刺激1995、小妇人最喜欢的运动: 棒球最喜欢的国家/地区: 中国台湾最喜欢的动物: 人类最喜欢的颜色: 蓝色最喜欢的食物: 日本料理、总汇三明治、葡萄柚汁、Pizza、北京烤鸭最大的心愿: 做一个对流行音乐界有贡献的创作人才华：歌唱(14岁加入Show Choir合唱团.19岁出第一张个人专辑)、棒球(左投手.盗垒王)、英文(从出生开始学.至今21年啦)、法文(从初一到高三)、中文(回台後开始学..至今不过短短两年.却说的很溜)、乐器(小提琴手、吉他手、爵士鼓手、钢琴手、左手anyway..力宏有好几手)、词曲创作(13岁起开始创作，至今约四十余首作品)、绘画(画作《鹰》得奖)、论文(作品《人生与宗教》得奖)、音乐剧(自高中起年年演舞台剧)广告经验： 资生堂SQ概念推广代言人2.维他露P发行专辑《情敌贝多芬》《如果你听见我的歌》《nature大地的窗口》《好想你》《白纸》《我用生命爱你》《好力宏》《公转自转》《不可能错过你》奖项 ： 1999年 : 第十届金曲奖“最佳男演唱人”及“最佳专辑制作人奖”、新加坡金曲奖最佳唱片制作2000年：CHANNEL[V]华语榜中榜99歌曲奖 【力宏的第一】第一个14岁就创作出R&b结合Rock的作品；第一个大学毕业就获得全校师生票选年度音乐家并独立创作出570多页曲谱的音乐剧（毕业论文并编导演出）；第一个从事流行音乐创作的音乐硕士生；第一个优质偶像；第一个最年轻的金曲奖双料王（也是第一个学生歌王）；第一个连续七次入围金曲奖并两次夺冠的歌王；第一个在华语音乐中引入王力宏式俏皮的美语rap；第一个将民谣摇滚爵士饶舌舞曲电声交融成豪迈的华语乐章；第一个在歌唱中采用舌打音；第一个创造一人单口七部和声的历史记录；第一个将乒乓球声功夫游戏和响指创意为编曲元素；第一个以贝多芬为“情敌”，挥洒最富于大音乐气质的豪迈的流行音乐；第一个以《不可思议》的才情将西化音乐（特别是爵士音乐）打造得令人叹为仰止(或许也是最后一个)；第一个以音乐家的使命感，不计个人安危高原采风，将沉睡于深山高原的乐器乐音汇入流行音乐的洪流，最具深度地将京剧唱腔与蓝调唱腔有机融合浑然一体，绘制出中西一体灿烂的画卷，让人信服没有什么不可以；第一个将国粹与现代嘻哈音乐有机融合，以国粹为元素以中式嘻哈的形式呈现，以大音乐家的胸怀创立放眼世界立足中华象征华语音乐身份的“chinked-out”华人嘻哈新音乐；第一个在年轻一代中使流行音乐匠心独具彰显大音乐艺术风范又具有流行品质；第一个在年轻一代中以歌唱家的底蕴运用最丰富多变最富于质感的唱腔令流行歌曲不至于沉溺于平俗甚至于低俗；第一个不论什么风格的音乐都能做，不论什么风格的歌都能自由驾驭的全能创作歌手；第一个玩转数种高难乐器的音乐大玩家；第一个翻腾360度打鼓的音乐顽童；第一个创造小巨蛋个人演唱会七宗最；第一个视音乐为生命，为了音乐可以三天三夜甚至五天五夜连轴转的音乐铁人；第一个音乐上的陈景润，为了音乐吃泡面睡地铺甚至忍饥挨饿，忘我到近于自虐；第一个相对完美的男人(或许也是最后一个)--既有良好的学养和人文素养，又有非凡的才华；既有宽广博爱的胸怀，又有包容谦和的绅士风范；既有洒脱快乐的个性，又有艺术至上严谨自律的艺术家品格，既善良单纯又阳光健康，既优质又俊美。无疑是当今青年人完美模范的化身。

昵称：力宏、Homeboy、王导、老王、二哥，老大，王二，王囧（前面两个是力宏自己说的)。 自称：音乐吉普赛、MUSIC-MAN音乐超人、盖世英雄 生肖：龙 星座：金牛座 血型：O型 身高：180cm 体重：75kg 生日：1976年 阳历：5月17日 农历：4月19日 丙辰年 出生地：纽约罗切斯特 NewYork Rochester 所属公司：Sony（新力博德曼） 现住地：台北 学历： Williams College 大学学士学位（文理学院排名第一） Berklee College of Music美国伯克利音乐学院（美国前100名大学），双学位硕士（本因读博士，可是为了回国看外婆，没读下去）。 专修：音乐 （音乐剧、小提琴、爵士钢琴、爵士鼓、作曲、世界音乐史、音乐理论、音乐教育） 副修：亚洲管理、军事理论 职业：音乐人（歌手、百老汇音乐剧男中音主唱演员、作曲人、小提琴手、音乐制作人） 副业：演员、导演、指挥曾受教育 曾就读过的学校：Pittsford Elementary School ，Pittsford Sutherland Middle School ，Pittsford Sutherland High School （美国排名前100中学），美国马萨诸塞州威廉姆斯学院Williams college（文理学院排名第一）音乐科（爵士钢琴），Berklee College of Music美国伯克利音乐学院。 专精的乐器：小提琴、钢琴、键盘、吉他、贝斯、爵士鼓、颤音琴、二胡、琵琶、中阮、长笛、埙、口琴、艾杰克等其他中国民族乐器，曾被香港管弦乐团邀请（亚洲数一数二的乐团）并担任指挥家。在《心中的日月》专辑创作采风过程中学会呼麦。 音乐理想：透过我的音乐和青少年交流，让我的音乐给年轻人的生命带来感动和启发、成为一个世界级交响乐指挥家。 最大的心愿：把华人音乐带到全世界。 事业目标：做一个真正的世界性音乐家 (a true musician) 做出有创意、有思想、有内涵、有个人特色的艺术作品。在国际上发展成全方位的艺术家，在音乐的领域上能有长远的贡献！ 语言：英语（母语）、普通话 、法语、日语、粤语，略通客家话和闽南语 特殊专长：美声、词曲创作、制作、编曲、各种乐器、绘画（画作《老鹰》得奖）写作（其论文＜宗教与人生＞曾获Cornell大学主办的全美论文赛二等奖） 特点：唱功强悍、音色多变、唱腔换位登峰造极、中音很有特色（男中音）、音乐有力、节奏鲜明，给人一种振奋人心的力量。唱功华语流行歌手前三名！ 音乐风格：R&B、Hip－Hop、自创Chincked-out、摇滚、JAZZ、抒情、民谣、国语流行、中国风 音乐教育：从小受的是西式音乐教育（古典音乐出生） 兴趣嗜好：篮球、棒球、音乐、绘画、电影、戏剧、创作、制作 口头禅： “Yo~Yo~，It's all right!” 喜欢科目：爵士钢琴 喜欢音乐：古典、R&B、JAZZ、摇滚、国语流行、中国风、中国民乐。 喜欢的艺术家：贝多芬、莫扎特、肖邦、达·芬奇。 最喜欢的女生类型：凭感觉，但一定不能是黏人的，要有自己的生活，要朴实一点，偏爱长发知性女生。 喜欢歌手：Elton Jone，史提夫.汪达，Prince，乔治.麦可，Sting，迈克尔.杰克逊，张学友 喜欢的电影：《拯救大兵瑞恩》、《夜访吸血鬼》、《小妇人》、《肖申克的救赎》 喜欢食物：日本料理，总汇三明治，葡萄柚，北京烤鸭，Pizza，酪梨寿司，麦当劳（曾经代言过） 喜欢饮料：葡萄柚汁 喜欢的颜色：天蓝色 喜欢的运动：棒球 最爱服饰：牛仔裤

王力宏王力宏（英文名：Leehom Wang，1976年5月17日－）籍贯浙江义乌，为美籍华人流行歌曲作曲家、男歌手及唱片制作人。他通晓英语、中文、法语，略知少许粤语和日语。其中英语为母语。他不光唱功了得，会多种乐器，而且还自己担当自己大部分作品的编曲配乐以及幕后制作。从《龙的传人》中令人惊讶的融合DJ电子乐节奏的华人流行嘻哈摇滚风，到自己开创出的chinked-out的曲风。他生活节俭，却热心公益慈善环保事业，正如他的歌曲所表达的，他坚持用音乐改变自己，改变世界，敬业如同音乐上的陈景润。中文名： 王力宏外文名： Leehom Wang别名： Home Boy, 黄绿红国籍： 美国民族： 汉出生地： 纽约罗切斯特出生日期： 1976年05月17日职业： 歌手，音乐制作人，演员，导演毕业院校： Williams College经纪公司： Sony BMG目录[隐藏]详细信息音乐历程成就及荣誉个人作品唱片电影蓝光出版发行纪录代言个唱单曲所获奖项个人碎句友人评价详细信息音乐历程成就及荣誉个人作品 唱片电影蓝光出版发行纪录 代言个唱单曲所获奖项个人碎句友人评价[编辑本段]详细信息昵称：力宏、老大 黄绿红 Homeboy 二哥 王小二 王导 王囧囧 自称：音乐吉普赛、MUSIC-MAN音乐超人 生肖：龙 星座：金牛座 血型：O型 身高：180cm 体重：75kg 生日：1976年5月17日 出生地：纽约罗切斯特 NewYork Rochester 所属公司：Sony BMG 现住地：台北 学历：Berklee College of Music伯克利音乐学院，双学位硕士。 专修：音乐 ； 副修：亚洲管理、军事理论 曾就读过的学校：Pittsford Elementary School ，Pittsford Sutherland Middle School ，Pittsford Sutherland High School （美国排名前100中学），美国马萨诸塞州威廉姆斯学院Williams college（文理学院排名第一）音乐科（爵士钢琴） 专精的乐器：小提琴、钢琴、键盘、吉他、贝斯、爵士鼓、颤音琴、二胡、琵琶、中阮、长笛、埙、口琴、艾杰克等其他中国民族乐器，曾被香港管弦乐团邀请（亚洲数一数二的乐团）并担任挥家。在《心中的日月》专辑创作采风过程中学会呼麦 音乐理想：透过我的音乐和青少年沟通，让我的音乐给年轻人的生命带来感动和启发 最大的心愿：把华人音乐带到全世界 事业目标：做一个真正的音乐人 (a true musician) 做出有创意，有思想，有内涵，有个人特色的作品。在国际上发展成全方位的艺人，在音乐的领域上能有长远的贡献！ 语言：英语（母语）、汉语 、法语、日语、粤语，略懂客家话和闽南语 特殊专长：词曲创作、制作、编曲、各种乐器、绘画（画作《老鹰》得奖）写作（其论文《宗教与人生》曾获Cornell大学主办的全美论文赛二等奖）最早在作品中融入中国风的实力派歌手，中国风创始人。 特点：唱功强悍，音色多变，唱腔换位登峰造极、中音很有特色（男中音） 擅长曲风：Hip-Hop、流行朋克、Chincked-out、暴力摇滚、JAZZ、嘻哈、R&B、抒情 兴趣嗜好：篮球、棒球、音乐、绘画、电影、戏剧、创作、制作 欣赏歌手：Stevie Wonder 口头禅： "It's all good!" 喜欢科目：爵士钢琴 喜欢音乐：古典、R&B、JAZZ、摇滚、国语流行、中国风、中国民乐 喜欢的艺术家：贝多芬、莫扎特、肖邦、达芬奇 最喜欢的女生类型：凭感觉，但一定不能是黏人的，要有自己的生活 喜欢歌手：Elton Jone,Stevie Wonder,Prince,George Michael,Sting,Michael Jackson 喜欢的电影：拯救大兵瑞恩，夜访吸血鬼，小妇人，肖申克的救赎（刺激1995） 喜欢食物：日本料理，总汇三明治，葡萄柚，北京烤鸭，Pizza，酪梨寿司，麦当劳（曾经代言过） 喜欢饮料：葡萄柚汁 喜欢的颜色：天蓝色 喜欢的运动：棒球 最爱服饰：牛仔裤 最喜欢说的话：It's all good! / yo～ 圈中好友：成龙、陈建州、陶喆、周杰伦、唐志忠、Hyde、李安、小S、大S、蔡依林、范玮琪、罗志祥、五月天、梁静茹、SHE、孙燕姿、萧亚轩、潘玮柏、谢霆锋、陈奕迅、李玟、张惠妹、林俊杰、董卿、谢娜、柯有伦、吴建豪、Gackt、顺子、徐若瑄、庾澄庆、Tata Young、张信哲、张杰、、张靓颖、杨丞琳…… 家庭背景： 外曾祖父：许凤藻（1891—1953），无锡人，为民国知名的海军将领曾有功于武昌首义，并受国父孙中山先生接见题字：“海天一色”。 奶奶：许留芬 许凤藻将军长女 清华大学经济系毕业 后任职台北商专的会统科主任，经济学讲师，著有《会计学原理》、《英汉汉英会计学辞典》等。至今该校仍设有"芬奖学金"。 外婆：某师范学院历史系毕业 曾为台湾著名主持人小燕姐（张小燕）的历史老师 舅公：许倬云 （力宏奶奶的兄弟）台大历史系 芝加哥大学博士毕业 是著名的史学家，在中国社会史、中国上古史研究领域造诣精深、注重治史方法创新、著述等身，誉满海内外。现任美国匹兹堡大学历史系教授，当今最著名的华人文科学者之一。同时也自1989年起担任CCF基金会（Chiang Ching Kuo Foundation）的美国分部主任。 姑爷（二声）：李模，也就是力宏的表叔李建复的父亲，西南联大法律系毕业（西南联大是由北京大学、清华大学和南开大学联合而成。）美国哈佛大学法学硕士 ，是著名法学家 1946年高等考试司法官第一名 1968年高等特考司法官最优等第一名，初任推事、律师。并执教于高校，历任成功大学副教授，清华大学、中兴、东吴、辅仁大学法学教授。 父亲：王大中 台湾大学医学系毕业 医生 母亲：李明姝（shu） 政治大学毕业 表叔：李建复 《龙的传人》的原唱者，著名民歌手音乐人 现在为跨国网络公司雅虎（Yahoo）亚洲区事业发展总监 哥哥：王力德（LEO WANG）耶鲁大学医学博士 曾在高中阶段一次全美联考中获得第一，因而收到老布什的接见和来信 大嫂：跟王力宏的大哥是同学 侄子：王嘉澍 侄女：王嘉雯 弟弟：王力凯(LEE-KAI WANG） 保送美国麻省理工学院（现已麻省理工学院研究生毕业）现在美国华尔街供职 表哥：哈佛大学毕业 现任纽约苏富比公司副总裁 表嫂：哈佛大学毕业 后任造型设计师[编辑本段]音乐历程6岁 开始接触各种流行音乐和古典乐曲，并开始玩小提琴 8岁 开始接触钢琴 10岁 开始学习爵士鼓 12岁 开始学法文 / 成为Rochester Pilhaumonica Youth Orchestra 最年轻小提琴手及团员 开始对吉他产生兴趣 13岁 开始凭借强烈的天赋自己作曲 / 写歌（作曲从13岁开始，没记错的话他说过好几遍了吧这都能搞错，自己去参见超级震撼歌友会，他说了13岁开始作曲，还唱了自己创作的第一首歌） 17岁 开始学中文 / 论文比赛得奖 / 画作《老鹰》得奖 18岁 开始学习钢琴。 18岁 MONROE COUNTY 高中毕业模范生代表 / 荣获NATIONAL MERIT SCHOLAR（美国高中毕业生最高荣誉）/ 通过EASTMAN MUSIC SCHOOL小提琴甄试，并开始接触钢琴 19岁 出版个人第一张专辑《情敌贝多芬》[编辑本段]成就及荣誉1998 ★担当Williams College音乐剧「The Bite That Burns」的导演、编剧及作曲 ★美国麻州Williams College 毕业。荣获「荣誉毕业生」殊荣 1999 ★23岁成为台湾金曲奖最佳国语男演唱人和最佳制作人， 是台湾金曲奖历史上最年轻的双料冠军 ★赴马来西亚World Trade Center举行个人演唱会， 受邀于Kuala Lumpur Symphony Orchestra， 这是继国际巨星Luciano Pavarotti和Julio Iglesias之后唯一被邀请的国际歌手 ★受日本天王制作人小室哲哉赏识， 为小室哲哉新歌编曲、制作、献唱中文版「Happiness×3，Loneliness×3 」 ★受邀到日本担任叶加濑太郎演奏会嘉宾，力宏第一次把表演舞台延伸到日本 2002 ★日本权威媒体《读卖新闻》举办的票选“亚洲10大人气帅哥”的活动中，王力宏荣登榜首 ★创作并制作电影《蜘蛛侠》亚洲主题曲「Like a Gunshot」一曲，作为进军国际乐坛的第一步，该歌曲收录在《蜘蛛侠电影原声带》中 ★为第13届金曲奖制作金曲奖主题曲「Passion」，由戴爱玲主唱。 ★赴纽约专访电影「神鬼交锋」，力宏是唯一亚洲记者代表。访问导演斯蒂芬·斯皮尔伯格、演员莱昂纳多·迪卡普里奥、汤姆·汉克斯 2003 ★力宏和陶喆一起创作抗SARS之歌「手牵手」，召集86位歌手录制 ★Discovery频道之「太鲁阁的秘密」担任中英文引言人 2005 ★受邀到英国MTV电视台表演，用吉他和小提琴自弹自唱《Julia》和《LoveLoveLove》，赢得满堂彩。 力宏说：“本来就准备选两首自己熟悉的英文歌，不过后来觉得如果能唱中文歌更能让外国人见识到中国歌手的实力， 所以特别唱中国歌。中国歌一样可以在海外受到欢迎，我觉得推广中国歌也是我们中国歌手的一种责任。” ★杜莎夫人蜡像馆想为台湾歌手作蜡像，并挑选出王力宏、周杰伦等受歌迷喜爱的名单， 由于王力宏音乐创作红遍全中国、日本和新马等地，最终向王力宏的发出邀请函，想使之成为最年轻蜡像歌手。 力宏感到惊喜，但最终婉拒了邀约。王妈妈表示，对此感到很荣幸，只是王力宏才29岁，要学习、要努力的空间还很多， 愿意把这个机会让给更有成就的前辈 ★受邀到拉斯维加斯恺撒宫举办个人演唱会，席琳·狄翁及史提夫·汪达等国际著名歌手曾经在此地开唱 2006 ★受邀参加都灵冬奥会的奥林匹克庆祝大会，作为开场表演嘉宾的力宏以chinked-out风格强烈的《盖世英雄》一曲惊艳全场， 中西融合的曲风及力宏的rap让现场嘉宾啧啧称奇，鼓掌叫好，是这次表演唯一一位华人歌手 ★王力宏凭专辑《Chinked-Out》（即《心中的日月》）入围了第48届格莱美奖提名 ★《心中的日月》专辑，开创了CHINKED-OUT（华人嘻哈）的新曲风，将华语音乐进一步推向全世界 ★与凯莉·罗兰(Kelly Rowland)共同全程英文主持2006MTV亚洲大奖颁奖典礼，在开场演唱了《盖世英雄》 ★《心中的日月》被重新填词，由中孝介演唱为日文版《心阳》 ，收录在中孝介的专辑《触动心弦》 ★凭借专辑《盖世英雄》成为第17届台湾金曲奖最佳国语男演唱人，在台湾金曲奖历史上二度封王 2007 ★入选美国知名网站「GOLD SEA」选出的「80位美国最有影响力的美籍亚洲人 」之一， （THE 80 MOST INSPIRING ASIAN AMERICANS OF ALL TIME），与李小龙、马友友、李安齐名。 给予力宏的评价为：很多美籍亚洲人家庭都希望自己的小孩可以成为医生、会计师或是企业家， 而王力宏虽然出身医学世家（他爸爸与哥哥都是医生），而且是个高材生， 但他凭着对音乐的喜爱以及天生优越的音乐才华， 成为一位全亚洲最有名， 也最有影响力的创作歌手。 ★美国加州众议员BobHuff代表州长阿诺·施瓦辛格，向他颁发“亚洲杰出艺人”奖状， 肯定这位美国长大、亚洲发光的音乐才子，对中美艺术文化交流的贡献与成就。 夏乐柏表示他代表加州政府以及加州所有居民，热情欢迎王力宏莅临演唱，王力宏在音乐和电影方面的杰出成就也让美裔华人感到骄傲。 2008 ★赴希腊，成为奥运火炬传递首日的第17棒火炬手。首日火炬传递有9名华人参与，力宏是作为唯一的艺人代表。 力宏特意把长发剪短，并且每天跑步5公里。 ★参与演唱了4首北京奥组委的奥运会官方歌曲，为中国台湾及海外男歌手之最：北京2008年奥运会暨残奥会火炬接力主题歌《点燃激情 传递梦想》，奥运电影《一个人的奥林匹克》主题曲《站起来》，北京2008年奥运会优秀歌曲《 One World One Dream 》，北京2008年奥运会倒计时100天主题曲《北京欢迎你》 ★获香港管弦乐团邀请，在香港文化中心音乐厅担纲年度压轴节目《港乐?王力宏》音乐会的指挥家，王力宏是第一位音乐人有份指挥香港管弦乐团。被誉为「亚洲数一数二的乐团 」的香港管弦乐团 (港乐)首度与流行音乐界的结合，并由享誉国际的指挥家迪华特赠送王力宏专属指挥棒。港乐表示：“没想到王力宏这样的流行音乐家，竟然可以这样的了解古典音乐，藉由这次的合作对王力宏刮目相看。” ★参与北京2008年奥运会闭幕式，与Rain、陈慧琳、韩雪合唱歌曲《北京，北京，我爱北京》 ★在2006至2008短短两年的时间，王力宏连续接受三次CNN的访问，成为华语歌坛的第一人。在三次的访问中，其中两次都是接受了《TALK ASIA》的访问，《TALK ASIA》是CNN以亚洲观点访问世界上有影响力人物的一个谈话性访问节目 ★Google网页网址要冠上专属人名，王力宏成为第一人。Google台湾与歌手王力宏合作打造推出的iGoogle“王力宏主题网页” ★王力宏上海演唱会，4年来3度挑战八万人体育场，售票6万2千张，胜过周杰伦去年11月同场地的5万6千人，破各国歌手上海开唱纪录，同天开唱的还有日本天后滨崎步、郭富城 2009 ★国际流行天王迈克尔杰克逊所在的私人经纪公司已经与SONYBMG公司达成决定，杰克逊曾经的经典流行曲目《镜中王者》，由亚洲巨星王力宏在2009年北京演唱会上重新作编曲，精彩演绎并发行EP迷你大碟。这是杰克逊逝世以来，首次由亚洲艺人演绎另一个编曲版本的《镜中男人》（《man in the mirror》)。[编辑本段]个人作品